Ellis Tree

Ellis Tree (she/her) joined It’s Nice That as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography.

All 147 articles

This photobook chronicles the story of the most photographed person in Australia

3 days ago

Hand-bound books, honest stories and photography as evidence: Meet publishing house, Zone6

4 days ago

Inside the warm and fuzzy animated world of Juan R Lage

5 days ago

Yoshiko Hada’s drawings continue the lines of her childhood doodles

6 days ago

How do you create a visual identity for something you can smell, not see? AWP shares its tricks

11 days ago

Kelly Belter on stamps, vintage matchbooks, and coins — the joys of illustration in the smallest of places

12 days ago

This warped identity for Pressure Systems was made with an old Xerox photocopier

13 days ago

Meet Le Dimanche, the studio bringing a “sunday kind of feeling” to design

13 days ago

Malou Messien on her obsession with display type, secondhand book covers and Estonian design

4 November 2024

For the Love of Grass: Joel Barney’s tender portrait of football’s unsung heroes

30 October 2024

Inès Gradot’s inky marker pen drawings blend into Risograph prints that look like paintings

28 October 2024

“I am the subject and the maker”: Marie Smith on documenting the Black non-binary body in nature

24 October 2024

Víctor Arce’s hazy, digital artworks are inspired by the nostalgic touch of retro computing

24 October 2024

Work
Art
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Endure the insufferable sounds of crunchy snacks in Holly Hunter’s new comedy short

24 October 2024

Carson Stachura captures a reality in which queer and trans people “can be seen, not just looked at”

17 October 2024

Studio Ivy/Aidan lets the interplay of materials and mechanics lead its practice

16 October 2024

Work
Art
...

Anthony Burrill and Oswin Tickler showcase the “abstract nature of type” with creative code

16 October 2024

This photobook chronicles the story of the most photographed person in Australia

Hand-bound books, honest stories and photography as evidence: Meet publishing house, Zone6

Inside the warm and fuzzy animated world of Juan R Lage

Yoshiko Hada’s drawings continue the lines of her childhood doodles

How do you create a visual identity for something you can smell, not see? AWP shares its tricks

Kelly Belter on stamps, vintage matchbooks, and coins — the joys of illustration in the smallest of places

This warped identity for Pressure Systems was made with an old Xerox photocopier

Meet Le Dimanche, the studio bringing a “sunday kind of feeling” to design

Malou Messien on her obsession with display type, secondhand book covers and Estonian design

For the Love of Grass: Joel Barney’s tender portrait of football’s unsung heroes

Blend: The new analogue toolbook for graphic designers

Inside Flacido Placido’s soft, naive and joyful plasticine playground

Diyala Muir’s animated short Red Shoes explores the entrapments of femininity

Inès Gradot’s inky marker pen drawings blend into Risograph prints that look like paintings

“I am the subject and the maker”: Marie Smith on documenting the Black non-binary body in nature

Víctor Arce’s hazy, digital artworks are inspired by the nostalgic touch of retro computing

Endure the insufferable sounds of crunchy snacks in Holly Hunter’s new comedy short

Carson Stachura captures a reality in which queer and trans people “can be seen, not just looked at”

Studio Ivy/Aidan lets the interplay of materials and mechanics lead its practice

Anthony Burrill and Oswin Tickler showcase the “abstract nature of type” with creative code

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