Ellis Tree

Ellis Tree (she/her) joined It’s Nice That as a junior writer in April 2024 after graduating from Kingston School of Art with a degree in Graphic Design. Across her research, writing and visual work she has a particular interest in printmaking, self-publishing and expanded approaches to photography.

All 139 articles

Malou Messien on her obsession with display type, secondhand book covers and Estonian design

4 days ago

For the Love of Grass: Joel Barney’s tender portrait of football’s unsung heroes

9 days ago

Inès Gradot’s inky marker pen drawings blend into Risograph prints that look like paintings

11 days ago

“I am the subject and the maker”: Marie Smith on documenting the Black non-binary body in nature

24 October 2024

Víctor Arce’s hazy, digital artworks are inspired by the nostalgic touch of retro computing

24 October 2024

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Art
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Endure the insufferable sounds of crunchy snacks in Holly Hunter’s new comedy short

24 October 2024

Carson Stachura captures a reality in which queer and trans people “can be seen, not just looked at”

17 October 2024

Studio Ivy/Aidan lets the interplay of materials and mechanics lead its practice

16 October 2024

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Art
...

Anthony Burrill and Oswin Tickler showcase the “abstract nature of type” with creative code

16 October 2024

Tina Tona is exploring her dual heritage through pop culture and collage

14 October 2024

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Art
...

Tara Booth compiles 100 hilarious comics that have been getting her through it

10 October 2024

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Art
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Jacek Rudzki on graphic design, collecting trash, and returning to a childlike sense of creative freedom

9 October 2024

Christoph Florin merges analogue and digital worlds through window views in browser windows

7 October 2024

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Art
...

Nina Izycka’s inky catalogue of characters holds quiet messages for harmony with the natural world

3 October 2024

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Art
...

For graphic designer and activist Jérémie Wostyn (aka Kylab), poster design is a spontaneous and intuitive space

2 October 2024

Duties Studio’s organic identity for Neural Codex counteracts the “daunting and robotic” nature of AI

1 October 2024

Megan Eagles captures a strange kind of beauty documenting the UK funeral industry

1 October 2024

Malou Messien on her obsession with display type, secondhand book covers and Estonian design

For the Love of Grass: Joel Barney’s tender portrait of football’s unsung heroes

Blend: The new analogue toolbook for graphic designers

Inside Flacido Placido’s soft, naive and joyful plasticine playground

Diyala Muir’s animated short Red Shoes explores the entrapments of femininity

Inès Gradot’s inky marker pen drawings blend into Risograph prints that look like paintings

“I am the subject and the maker”: Marie Smith on documenting the Black non-binary body in nature

Víctor Arce’s hazy, digital artworks are inspired by the nostalgic touch of retro computing

Endure the insufferable sounds of crunchy snacks in Holly Hunter’s new comedy short

Carson Stachura captures a reality in which queer and trans people “can be seen, not just looked at”

Studio Ivy/Aidan lets the interplay of materials and mechanics lead its practice

Anthony Burrill and Oswin Tickler showcase the “abstract nature of type” with creative code

Tina Tona is exploring her dual heritage through pop culture and collage

Tara Booth compiles 100 hilarious comics that have been getting her through it

Jacek Rudzki on graphic design, collecting trash, and returning to a childlike sense of creative freedom

Christoph Florin merges analogue and digital worlds through window views in browser windows

Nina Izycka’s inky catalogue of characters holds quiet messages for harmony with the natural world

For graphic designer and activist Jérémie Wostyn (aka Kylab), poster design is a spontaneous and intuitive space

Duties Studio’s organic identity for Neural Codex counteracts the “daunting and robotic” nature of AI

Megan Eagles captures a strange kind of beauty documenting the UK funeral industry

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